The Madonna of the Dry Tree

Petrus Christus, Madonna of the Dry Tree, c. 1465
Oil on oak (5 3/4" x 4 7/8")
Museo Thyssen-Bornemisza, Madrid
There are so many interesting aspects to this tiny painting, symbolism abounds. The Tree of Knowledge, withered and dry after Adam and Eve ate of its fruit, comes to life through the Virgin. The Virgin, herself the miraculous product of the barren Anne, in turn gives birth via the Immaculate Conception. The dry tree presages the crown of thorns, representing Christ’s sacrifice for man’s redemption. Another fascinating element of this painting are the 15 golden ‘A’s that hang from the thorns of the tree. These represent Ave Maria, the Hail Mary prayer of the rosary. Ave is the reverse of Eva, or Eve—a reminder that Eve’s fall is redeemed through Mary, the new Eve, who is not only the mother of Christ but the intercessor for all mankind.

Mary’s cloak is wonderfully depicted in all details of folds, showing the technical skill of painting of Petrus Christus. The folds also give a lively impression to an otherwise fixed image that was also rare in pictures of the Virgin of those times. The baby Jesus enhances the liveliness further since he seems to struggle out of Mary’s arms, wanting to go into the world on his own. Jesus is oblivious of the seriousness of the theme. Here too, Petrus Christus somewhat evolved tradition since he painted the Virgin holding Jesus in her right arm, with her left hand gently playing or holding Jesus’s toes. The face of the Virgin is dignified, aware of the mystery of her conception and of the importance of her son and unafraid. This is not a subdued Mary lost in sorrows, but a triumphant and confident mother who sees the dangers and the cruel menace but who chooses to ignore the fate because of her motherly love.
link: http://venetianred.net/2010/06/28/petrus-christus-the-madonna-of-the-dry-tree/;
http://www.theartofpainting.be/AOM-Virgin_of_the_dry_Tree.htm